(Visual) Notes on Culture
	
  
   
   
        
   
        
   
David Hockney - Mr. and Mrs. Clark and Percy
   
David Hockney - 
Mr. and Mrs. Clark and Percy, 1971
Labels: 1970s, painting
 
   
     
 
   
        
   
        
   
RENEGADE
   
"2 AM is no time to be alone in the subway/And you're about to find out why."
Labels: 1980s, games
 
   
     
 
   
        
   
        
   
DRURY LANE
    Drury Lane
Drury Lane in the 19th century.
Labels: London, photography
 
   
     
 
   
        
   
        
   
MOH: Mick Garris
   
A trading card of film director Mick Garris, from the 
Anchor Bay/Starz line of 
Masters of Horror DVDS.
Labels: film, horror, Mick Garris
 
   
     
 
   
        
   
        
   
SABU MARTINEZ
   
 From Sweden
From Sweden, with love.  Previously unknown recordings from the great 
Sabu Martinez, who, like so many great American musicians, was only fully appreciated in Europe.   Next item of interest: AFRO TEMPLE.

Labels: album covers, jazz, Sabu
 
   
     
 
   
        
   
        
   
#44
   
Via 
Ropeadope, your source for soulful, funky music.  It is cold and wintry in North Carolina right now, but hearts are warm knowing that G.W.B. is doing the walk of shame.  Cheers, President!!
Labels: Obama, President
 
   
     
 
   
        
   
        
   
TRAFIC
   
French poster of Jacques Tati's 1971 film 
Trafic, his modest follow-up to the financially ruinous but majestic 
Playtime (1967).  Incidentally, this poster is timely for anyone trying to attend President Obama's inauguration.
Labels: film, Jacques Tati
 
   
     
 
   
        
   
        
   
San Carlo Alle Quattro Fontane, for tourists
   
A travel brochure, probably 40+ years old.  Bilingual (English and Italian) descriptions of Francesco Borromini's 
San Carlo Alle Quattro Fontane (commissioned mid 1630s), the poster-child of "Mannerist" (that is, "mannered," i.e., slightly bizarre) architecture.
Labels: architecture, mannerism
 
   
     
 
   
        
   
Format Change and More
   Since my recent blogging habits have been directed to 
Virtual Fools and the group blog at 
The Modest Proposal, this blog has seemed like a bit of dead weight.
However, inspired by the wonder service of 
"If Charlie Parker Was a Gunslinger, There'd be a Whole Lot of Dead Copycats," I've decided to turn my notes on culture into notes on "visual" culture, namely impressive images that I come across.  Most will be attached to artists or works of art, some will be obsolete advertising images, others will be just plain bizarre.  In my work as a film scholar, I naturally come across far too many images--in fact, anybody who walks down a street in a major city does as well, for that matter--so I figured I would "pay" a bit of it forward, so to speak.
I will also occasionally use this to "announce" personal news.  I've recently had two book reviews published, one on Kim Paffenroth's book 
Gospel of the Living Dead (his personal blog for his zombie fiction and aggregate reviews is 
here) at the 
Irish Journal of Gothic and Horror Studies.  My review is 
here.  The other was of Ronald Bergen's edited collection 
Francois Truffaut: Interviews, which I did for 
Film and History: An Interdisciplinary Journal of Film and the Humanities.  The review is available in print and through library access if your research institution has purchased access (via 
Project Muse and others).  My 7000 or so word "Filmography" for the three volume encyclopedia 
American Countercultures (ed. Gina Misiroglu) has been published by M.E. Sharpe.  I provided synopses and access info for hundreds of films relating to all facets of the counterculture.  If you have nearly $300 to spare, I can't think of a better way to spend it than to 
purchase the set.
Speaking of Film & History, I'll be presenting on Richard Lester's film 
The Knack (1965) and the revival of British aesthetic modes at 2009's Popular Culture Association conference in New Orleans (in, appropriately, the film and history "section").  That conference ought to provide some great images for this new blog direction.
More to come.  For now, enjoy the visual world.